|
17530
|
Nils
Bultmann - Terminally Unique
Nils Bultmann: Viola, Keyboards, Wurlitzer, breath and vocals
Roscoe Mitchell: Tenor saxophone: track 2, 3, & 14: flute: track 8 Parry Karp:
Cello: track 3, 4 and 5; Paddy Cassidy: Djembe: track 3 |
17529
|
"Blue" Gene
Tyranny -
The Somewhere Songs
The Somewhere Songs, for baritone, environmental, and electronic
sounds:Thomas Buckner, baritone voice The Invention of Memory, for baritone,
string ensemble, guitar, and piano: Thomas Buckner, baritone voice; "Blue"
Gene Tyranny, piano
|
17528
|
Thomas Buckner - New
Music for Baritone & Chamber Ensemble
s.e.m. ensemble
continuum
luminescence - annea lockwood
canto - tania leon
conceptuality/life - petr kotik
|
17527
|
Timeless Pulse - Quintet
Timeless Pulse:
Thomas Buckner, voice; George Marsh, percussion; Pauline Oliveros, accordion;
David Wessel, live-electronics; Jennifer Wilsey, percussion
|
17526
|
Totem
Jerome Bourdellon + Thomas Buckner
Jérôme
Bourdellon, flutes and shakuhachi and Thomas Buckner, voice Improvisations with
the sculpture of Alain Kirili
|
17525
|
Archaea
Dan Joseph
The Dan Joseph
Ensemble: Tom Chiu (violin), Michael Lowenstern (clarinet), Danny Tunick (percussion),
Marija Ilic (harpsichord), Loren Dempster (cello), Dan Joseph (hammer dulcimer)
"A major
player on the New York new-music scene...." - Time Out New York
|
17524
|
The
Indian Parrot
W. A. Mathieu
A Parrot, Three
Fish, and a Donkey for three singers and small ensemble; Gourd Music for piano
solo; The Blind Beekeeper for baritone and piano Thomas Buckner, baritone; Joseph
Kubera, piano; Devi Mathieu, soprano; Suzanne Elder-Wallace, alto; Bob Afifi,
alto flute; Shira Kammen, iola; Daniel Kennedy, frame drums
|
17523
|
The
Art of Improvisation
Leroy Jenkins' Driftwood
This glorious new of release by Leroy Jenkins' Driftwood was recorded on October
8, 2004 at a Association for the Advancement of Creative Musicians (AACM) concert
and features Jenkins (violin), Min Xiao-Fen (pipa), Denman Maroney (piano), and
Rich O'Donnell (percussion).
|
17522
|
Homage
Thomas Buckner, Mel Graves, George Marsh
Buckner - Voice
Graves - Bass
Marsh - Percussion
This project is the product of over thirty years of musical collaboration and
personal friendships. |
17521
|
5 Saxophone Solos
Earl Howard
"Earl Howard
has made some kind of connection here — a new set of soliloquies. dialogues.
in one case almost polylogues. his own voice somewhat delicate and innocent. forged
from old hard rules. letters of the law not broken just reinterpreted. reinvented
with an almost reverential melancholic solace. ballads well mixed, served to the
brim & sipped gently." -Steve Dalachinsky NYC 1/05 |
17520
|
Contexts
Thomas Buckner
Thomas Buckner, voice. 3 improvisations: alone; with David Darling, cello; with
Borah Bergman, piano a composition: ILEX with Earl Howard, composer and electronics;
Gustavo Aguilar, percussion; Wu Man, pipa
"My introduction
to performing contemporary music was through free improvisation, back in 1965.
An early influence was the Art Ensemble of Chicago whom I first heard in 1968.
My solo piece is part of that lifelong preoccupation with solo improvisation."
- TB
|
17519
|
Acts of Love
Bergman, Coxhill & Hession
Borah Bergman, Piano
Lol Coxhill, Soprano Saxophone
Paul Hession, Drums
|
17518
|
Game | No Game
George Marsh, W. A. Mathieu
Viola Spolin characterized
the original theater games she introduced as "…a timeless moment when
all are mutually engaged in experience. You don't know what's going to happen,
and that's where the joy is, the everlasting spiral."
George Marsh -
percussion, W. A. Mathieu - piano
|
17517
|
Suitable for Framing
David Rosenboom, J.B.
Floyd & Trichy
Sankaran
Forms of freedom
for two pianos and mrdangam
David Rosenboom
and J. B. Floyd, pianos;
Trichy Sankaran, mrdangam and kanjira
|
17516
|
Hyperrealism
Noah Creshevsky
Hyperrealism is
an electroacoustic musical language constructed from sounds that are found in
our shared environment ("realism"), handled in ways that are somehow
exaggerated or excessive ("hyper").
|
17515
- 3 CDs
|
Solo [3]
Roscoe Mitchell
Sudden music! All alone,
unprotected, Roscoe Mitchell confronts Silence: the void, the vast unknown.
3 CDs for the price of 2
|
|
|
17514
|
The Psyche
Revolutionary Ensemble
Leroy Jenkins(violin), Sirone
(bass), Jerome Cooper (drums, piano)
"it's
a joy and a revelation to finally hear this album." - John Litweiler (from
liner notes)
Long awaited reissue of .the Revolutionary Ensemble's1975 album. The Psyche.
|
17513
|
Guitar Music of Villa-Lobos
Joseph Bacon, guitarist
Recorded at Montgomery
Chapel, San Francisco Theological Seminary, San Anselmo, California. This recording
was produced in M-S stereo using a Neumann SM-69 microphone and was recorded
using Dolby process. Recording
engineer: Bob Shumaker
Lp was originally released as1750 Arch Records S-1771
|
17512
|
Transporting Transmittance
Music of JB Floyd
A Transporting
Transmittance for Transverse Flute and Disklavier, From - A Hundred Little 3-D
Pitctures, Improvisations on Robert Ashley's "el/Aficionado" for Disklavier,
Solos and Sequences II.
J.B. Floyd - piano, Thomas Buckner - baritone,
Lisa Hansen - Flute
|
17511
|
Earl Howard
Strong Force
Parabola Arts Ensemble:
Anthony Davis - piano, Gery Hemingway - percussion, Earl Howard - synthesizer,
Anne LeBaron - harp, Ernest Reijseger - cello.
Recorded live at Merkin Hall, NYC, November 18, 1999
|
17510
|
Ear Shot
The Music of Mel Graves
Ear Shot, Picturing
You, For Smith, Revisiting Higgins, Missing You, 3 and 7, Heads and Tails, Time
to Push Restart, For Bertram, Conversation Piece, Over the Top.
Featuring: Bob Afifi - flutes, Harvey Wainapel - Tenor Saxophone, Randy Vincent
- Guitar, George Marsh - Drums
|
17509
|
Jerome Cooper & Thomas Buckner
Alone, Together, Apart
Jerome Cooper -
Multi-dimensional drums
Thomas Buckner - Full spectrum voice
|
17508 - 2
CDs
|
Randy Weston
Ancient Future
Ancient Future,
Roots of the Nile, Kom Ombo, Bambara, Portrait of Oum Keltoum, Ballad for T.,
Isis, 8 Blues for CB, PCN, It Don't Mean a Thing, Body and Soul, Double Duke
Pt. 1, Out of the Past, Double Duke Pt. 2, Come Sunday, Sketch of Melba
Randy Weston, Piano
|
17507
|
Thomas Buckner &
Tom Hamilton -
Jump the Circle,
Jump the Line
Improvised music for voice
and electronics
Vocal music by Thomas Buckner
Electronic music and voice processing by Tom Hamilton
|
17506
|
Jerome Cooper -
From There to Hear
Bantul, Variations of a
Theme, Goodbye Pork Pie Hat, Monk Funk, My Life, The Indonesian
|
17505
|
Roscoe Mitchell & Thomas Buckner
-
8 O'Clock: Two Improvisations
Thomas
Buckner, voice;
Roscoe Mitchell, soprano saxophone, alto saxophone, percussion, flute
|
|
17504
|
Big Black -
Ethnic Fusion
Big Black,
tumbas and bongos; Anthony Wheaton, guitar
|
|
17503
|
Mel Graves -
Day
of Love
Day of Love
Text by Pablo Neruda; Bob Afifi, flute; Thomas Buckner, baritone; Mel Graves,
bass
Global Village
ETHEL: Ralph Farris,
viola; Dorothy Lawson, cello; Todd Reynolds, violin; Mary Rowell, violin
|
17502
|
Muhal Richard Abrams -
The Visibility of Thought
Duet for Contrabass and
Piano, Duet for Violin and Piano, Baritone Voice and String Quartet, Piano Duet
#1, The Visibility of Thought, Piano Improvisation Muhal Richard Abrams, Thomas
Buckner, Philip Bush, Jon Deak, Mark Feldman, Joseph Kubera, ETHEL: Ralph Farris,
Dorothy Lawson, Todd Reynolds, Mary Rowell
|
17501 - 2CDs
|
Space - New Music
for Woodwinds and Voice/An
Interesting Breakfast Conversation
Roscoe Mitchell, Soprano,
Alto, Tenor & Bass, Saxophones, Eb Soprano Clarinet; Thomas Buckner, Extended
Voice; Gerald Oshita, Straight Alto, Tenor, Baritone, Saxophones, Contrabass
Sarrusaphone, Conn-o-sax
|
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